![]() ![]() His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things.ĮDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He started at PCMag, Magnum Photos, and. PAST BYLINES: Gear Patrol, PC Mag,, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others.Ĭhris Gampat began working in tech and art journalism both in 2008. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." He's a veteran technology writer, editor, and reviewer with more than 15 years experience. HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's fascinated by how photographers create, considering the fact that he's legally blind./ He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. And we worked with them to recommend a few key gems to you.Ĭhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. We’ve independently and ethically reviewed all the products in this post already without sponsorship. This piece is presented in partnership with OM SYSTEM. M.Zuiko 60mm f2.8 Macro: A higher-end macro lens that’s incredibly versatile and capable.M.Zuiko 30mm f3.5 Macro: One of the Zuiko lineup’s more affordable macro lenses.M.Zuiko 12-40mm f2.8 PRO II: This comes available as a kit lens option for the OM-1 and it’s one of the most versatile lenses we’ve tested in years.It isn’t built as robust, but it’s durable for the great outdoors. OM SYSTEM OM-5: The OM-1’s little brother.OM SYSTEM OM-1: This camera has a focus stacking ability that makes focusing closely pretty easy while shooting wide open.Some of the gear we recommend to go shooting macro are the following: ![]() A Macro Tutorial We’ve Previously Published The Gear We Recommend for These Macro Photography Tips Even when you’re photographing an inanimate object, you’d want ample distance from what you’re shooting, so you don’t block out the light and cast a shadow over your subject. This will come handy when you want to shoot small wildlife and insects in macro. Macro lenses with longer focal lengths have a longer minimum focusing distance, allowing for more working space between you and your subject. In macro photography, f2.8 is very thin compared to how it is when you’re photographing a bird. This is because the lens is focusing closer overall. However, what you should consider is that the closer the ratio is to 1:1, the thinner the depth of field will be at a given macro focusing distance. Lower the ISO, shoot at a fast shutter speed, and use focus stacking to get the photos you want. But we know there are folks who can’t yet use a flash very well, so we recommend doing macro photography on a bright day. If you want the best-balanced photo, using a flash can certainly help fill in shadows. Lots of photographers would tell you to go into the world on a bright day and use a flash. But if you really want to make the most of the lighting and close focusing distances, consider removing the lens hood. When you’re done shooting macro photos, you can always put the lens back on. ![]() It will protect the front element of the lens and still let you get closer to your subject. So, instead, the next time you head outdoors to photograph flowers or fungi, consider a lens filter. However, with macro photography, the lens hood can often be larger than the macro distance from the subject. Why a Lens Filter is Better Than a Lens HoodĮverywhere you look, you hear that lens hoods are great.
0 Comments
![]() ![]() It also supports outputting video optimized for social sites such as Facebook and YouTube, but the program doesn’t facilitate uploading the video for you. As with other programs of this ilk, you simply select the target playback device, and the software generates the appropriately sized output. I inquired about a license update and was informed by Wondershare that I was still entitled to this free of charge due to the deadline after purchasing the previous version. (With every other video converter I’ve tried, I’ve had to insert a “nearly” or some other qualifier in that statement.) The program provides handy conversion templates for a host of specific handheld devices, such as iPhones, iPads, Android phones, and even my HTC HD7, which runs Windows Phone 7–a mobile operating system that other packages often ignore. 1 CH Very fair I was very pleased with the fast and customer-friendly support I was able to experience. Video Converter Ultimate handled every test video file I possess–including some rarer types such as Real Media and Ogg Theora. Tng quan Hng dn Cho doanh nghip Reviews(286) Mua C gng. It’s more a video toolbox than a simple converter. Bình lun ca Wondershare Video Converter Ultimate, làm cho nó mt tham chiu cho nhng ngi dùng khác. But it also rips DVDs, records and downloads online video, and even edits and processes video with special effects. Kayayyakin Store Support Game da 0 store. Tng quan Hng dn Cho doanh nghip Reviews(286) Mua C gng. Ka bar ka comment na Wondershare Video Converter Ultimate, sa shi a tunani ga sauran masu amfani. Yes, it converts video, and it does so quickly and capably to a multitude of formats. Bình lun ca Wondershare Video Converter Ultimate, làm cho nó mt tham chiu cho nhng ngi dùng khác. For example, the registered version makes it possible to download multiple videos simultaneously while the trial version only allows you to download them one by one.Wondershare Video Converter Ultimate ($66 direct, as of February 1, 2012) is a lot more than its name implies. The trial version can give you most of the basic features of a video converter but I prefer the registered version of ‘Wondershare UniConverter’ as it allows users to unlock the most out of these features. Parts of the video that do not have voice explanations can also be fixed easily with subtitles that explain what the segment is all about. It provides added features like cropping out parts of a video that we do not want to be seen in a certain frame or trimming the videos into different lengths. I like this gem because it allows me to more than just change the format of a video. I found this software easy to download, install and operate as each of the steps is clear to understand even to novice users. It is super-fast and can support up to thirty times the speeds available on the conventional web and PC-based converters. Any Video Converter Ultimate (Windows) - Download & Review. It has a neat user interface that helps users to directly jump straight to the task they need to be done, by simply clicking the specific button assigned to each task. Sresi doldu bizon Hasm video converter ultimate download for pc konuma deerlendirme. I find ‘Wondershare Uniconverter’ a reliable solution that lets you not only convert video and audio formats but also combines other essential features such as editing, downloading, compression and sharing. ![]() We no longer have to upload videos to a third-party hosting site and have each team member download them from a shared URL. One of the things that helped me and the rest of my team most was that we can send each other smaller-sized videos without experiencing any loss in video quality. ![]() ![]() Applications are due no later than March 23, each school year. ![]() Courses are listed in the Michigan Virtual School and the catalogue can be accessed at as well as and on the BCALC district webpage at Applications for online courses are available in the high school office. CCHS students may take up to two online courses as part of their educational experience. To begin the online enrollment process visit. If you are new to the district, the student needs to be enrolled as a district student before you can commit to the CVVA. Parents will also be able to log back in and see that the form has been completed. Parents should see a “thank you” box pop up after submission. This will need to be done for each child you wish to enroll in the virtual academy.
![]() ![]() Offline installer standalone setup of 640 Studio – 840 Transitions Pack. When teams work together, they work better, and Evercast is on a mission to give creatives the tools they need to collaborate their way to success.640 Studio – 840 Transitions Pack For Premiere Pro Free Download. If you want to collaborate on your edits with team members across the street or across the globe, Evercast allows you to stream your edit sessions in crystal-clear HD video while you video chat. Whether you choose to create your own transitions or use presets, After Effects allows you to customize every element of your animations until they're exactly how you want them. Transitions add professional polish to your video projects and can be super fun to play with and manipulate on top of that. Voila! Your preset will now be applied to your selected layer, and you can edit and tweak it until it's perfectly blended into your project. Step 5: Select the preset you want to use and double click Step 4: Navigate to the User Presets folder Step 3: Open up the “Effects and Presets” window Step 2: Select the layer you want to apply your effect to ![]() Step 1: Open your project in After Effects How to Apply Preset Transitions to Your Project Now that your plugin is installed, here’s how to apply it to your video projects. Your plugin is now installed and ready to use. Simply drag and drop your downloaded preset into the folder. Step 3: Copy your preset to the User Presets folder. If you do not, simply create one inside of the After Effects folder. If you have never created any presets, you may not have a “User Presets” folder. Locate the folder inside this folder named "User Presets." Locate the folder within Adobe that is named after your current edition of After Effects (Example: “After Effects CC 2019”)Ĥ. The location of this folder is different depending on your operating system. Step 2: Locate your After Effects presets folder. Follow these steps to install your new plugins: If you want to use any of these presets, you’ll first need to know how to install animation plugins into After Effects. How to Add Preset Transitions in After Effects Liquid transitions are smooth, swirly, and perfect for everything from travel to sports to advertising. This is a fan favorite, and for a good reason. Here are our ten favorite transitions and where to find them: 1: Liquid Transitions Whether you’re making slick corporate videos or fun travel vlogs, there’s a wide variety of transition packs out there to fit your vibe perfectly. ![]() We’ve scoured the web for some of the coolest After Effects transition presets that you can use to kick your next video project up a notch. From comic books to logo wipes, there is a preset out there for literally any project, many of them free or low-cost. While After Effects allows you to build your own transitions, the easiest way to implement After Effects transitions is to use creative transition presets and tweak them to fit your project perfectly. Whether you like to keep it minimal with simple wipes or want to blast the screen with ink-like effects, you can make it happen in After Effects. ![]() Thanks to After Effects’ powerful keyframing and motion graphics tools, you can create an incredible array of motion graphic transitions that will wow your audience. One of the most common effects used in Adobe After Effects is video transitions. ![]() ![]() This loss is due to absorption within the coffee cake during extraction, and it is important to note because, volumetrically, this indicates the upper level of espresso you can yield. In the PRO 2 brew head, the reservoir is 70ml with a maximum output of 60ml. ![]() But, the maximum output from the Standard brew head is just 45ml. The standard brew head has a maximum reservoir capacity, or maximum amount of water that will fit into the brewing chamber, of 60ml. To ensure that you’re able to get the desired weight of espresso in your cup, based on your desired brew ratio, it’s important to understand the size differences in the two brew heads that Flair products utilize: our Standard brew head and our PRO 2 brew head. In general, you should dial-in your espresso to ensure that your taste and mouthfeel is as you want it. It’s important to remember that these ratios aren’t hard rules, and are more like guidelines. A traditional espresso is typically 1:2-1:2.5 and a lungo, or long shot, is usually about 1:3. The ristretto shot is also known as a restricted shot, and typically features a brew ratio between 1:1 and 1:1.5. The most common brew ratios that you’ll see are a ristretto, traditional and lungo shot. You want to find a range where your shot is not under-extracted, but also not overly diluted, providing a well-balanced taste and mouth feel. So, dialing in your extraction means finding the relative “sweet spot” between the weight of your coffee grounds and the weight of your drink. This is a three-part relationship, meaning that as you increase the water used in brewing, and increase your extraction, you’ll also decrease the relative strength of your beverage, as it will be more diluted. The more water you force through your coffee grounds, at pressure, the more your grounds will be dissolved. Beyond this, a brew ratio is an important factor to manage because it deals with the extraction of your coffee grounds by the extracting agent, your brew water. Your brew ratio is important because it’s a wonderful way to manage and replicate the desired taste of your espresso once it’s been dialed in. This relationship, or ratio, between your grounds and your coffee dose is called a brew ratio, and it’s imperative for controlling the taste of your espresso as you dial-in and seek to brew a similar shot time after time. The volume of the shot is the same, but the amount of crema will differ vastly, meaning two very different tastes from two different recipes.īecause of this, it’s important to measure your espresso shot based on the input weight of your coffee grounds compared to the output weight of the espresso in your cup. As an example, a coffee that was brewed two days after roasting will have significantly more crema in 60ml of a double shot than if that coffee was used two or three weeks after roasting. In addition, if you only measure your espresso shot by volume, it’s impossible to match up or stay consistent with your recipe as your coffee slowly off-gasses and has less crema. In other words, 60 ml of coffee will taste wildly different if it comes from 18 grams of grounds vs 24 grams of grounds. However, this type of measurement is not accurate when it comes to really understanding what is going on with the coffee in your cup, as it doesn’t take into account how much coffee, or grounds, is creating that shot, or shots. ![]() ![]() In the past, espresso was measured by volume, where a single shot of espresso was roughly 30 milliliters and a double shot was roughly twice this volume, or 60 milliliters. The video above is a detailed explanation by one of our favorites in the world of espresso, James Hoffman. This article will discuss brew ratios in general, and also how they relate to, and can be managed, with your Flair. What is a double shot, and is it even relevant anymore? What is a ristretto shot or a lungo shot? And how do each of these impact my coffee’s taste? These questions all pertain to your brew ratio, or the amount of espresso that is yielded from your coffee grounds. In the world of espresso, understanding brew ratios can be difficult. ![]() ![]() In the 1980s, he appeared as leading man with King Solomon's Mines (1985), and played Jason Bourne/David Webb in the television film version of The Bourne Identity (1988). Hamenachem on the set of King Solomon's Mines in Zimbabwe.Ĭhamberlain later appeared in several popular television mini-series (earning him a nickname of "King of the Mini-Series"), including Centennial (1978–79), Shōgun (1980), and The Thorn Birds (1983) as Father Ralph de Bricassart with Rachel Ward and Barbara Stanwyck co-starring. The same year, he starred in Peter Weir's film The Last Wave.Ĭhamberlain and photographer Yoni S. A television film, William Bast's The Man in the Iron Mask (1977), followed. In The Slipper and the Rose (1976), a musical version of the Cinderella story, co-starring Gemma Craven, he displayed his vocal talents. In the 1970s, Chamberlain enjoyed success as a leading man in films: The Music Lovers (1970), Lady Caroline Lamb (playing Lord Byron 1973), The Three Musketeers (1973), The Lady's Not for Burning (made for television, 1974), The Towering Inferno (in a villainous turn as a dishonest engineer, 1974), and The Count of Monte Cristo (1975). A recording of the presentation was released by RCA Red Seal Records and was nominated for a Grammy Award. He received excellent notices and reprised the role for television in 1970 for the Hallmark Hall of Fame. While in England, he took vocal coaching and in 1969 performed the title role in Hamlet for the Birmingham Repertory Theatre, becoming the first American to play the role there since John Barrymore in 1925. In 1969, he starred opposite Katharine Hepburn in the film The Madwoman of Chaillot. ![]() Chamberlain and Mary Tyler Moore rehearsing Breakfast at Tiffany's in the mid-1960sĪt the end of the 1960s, Chamberlain spent a period of time in England, where he played in repertory theatre and in the BBC's Portrait of a Lady adaptation, becoming recognized as a serious actor. Decades later, he returned to Broadway in revivals of My Fair Lady and The Sound of Music. In 1966, he was cast opposite Mary Tyler Moore in the ill-fated Broadway musical Breakfast at Tiffany's, co-starring Priscilla Lopez, which, after an out-of-town tryout period, closed after only four previews. Kildare ended in 1966, after which Chamberlain began performing on the theatre circuit. 10 according to the Billboard Hot 100 Charts. Kildare", titled " Three Stars Will Shine Tonight", which struck No. ![]() Chamberlain's singing ability also led to some hit singles in the early 1960s, including the "Theme from Dr. James Kildare, in the NBC/MGM television series of the same name, co-starring with Raymond Massey. In 1961, he gained widespread fame as the young intern, Dr. Kildare in 1964Ĭhamberlain co-founded a Los Angeles–based theatre group, Company of Angels, and began appearing on television in guest roles in the early 1960s. Gillespie) from the television program Dr. Kildare), Daniela Bianchi and Raymond Massey (Dr. ![]() Chamberlain was drafted into the United States Army, attaining the rank of sergeant while serving in Korea from 1956–58. In 1952, Chamberlain graduated from Beverly Hills High School and later attended Pomona College (class of 1956). Chamberlain has also performed classical stage roles and worked in musical theatre.Ĭhamberlain was born in 1934 in Beverly Hills, California, the second son of Elsa Winnifred (née von Benzon later Matthews) and Charles Axion Chamberlain, who was a salesman. ![]() He subsequently appeared in several miniseries, such as Shōgun (1980) and The Thorn Birds (1983) and was the first to play Jason Bourne in the 1988 television film The Bourne Identity. George Richard Chamberlain (born March 31, 1934) is an American actor and singer, who became a teen idol in the title role of the television show Dr. ![]() ![]() We offer new reloading data for the following calibers: 9mm Luger / 9x19mm, with bullets: 8,0 g / 124 gr. I dont think that 5.0gr is an excessively hot load but it will certainly produce more felt recoil than if you were using a faster powder. Any opinions Bob 5.0gr of HP-38 is just two tenths over what Hodgdon recommends on their web page for 125gr. If performance isn't there and I have no pressure signs (including comparing recoil to factory loads), I cautiously move up.īullet Weight Powder Weight Velocity Note P.F.ĜOL Posted JanuJust seems like their recommended 9mm load above might be a little hot. The overall length obviously would be different as the JHP would be significantly shorter in most cases. The charge weight would be the same as long as bullet weight was the same. FMJ and JHP are both 'jacketed', thus will use 'jacketed' load data. I start at the lowest start load and work up to the lowest Max load. We muddied the water a bit by using FMJ/JHP and plated in the same conversation. Might need to move to slightly older manuals as the newest ones tend to want to include new powders, figuring you can get their owl manuals for old powders. I've also been thinking of trying WST or W231 with my 9mm cast bullets. I like to keep 9mm lead under 1000 fps if possible. Then, it wasn't one of the "almost" every manual. Hodgdon Website lists 700X w/ a 125 gr LCN. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |